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Ms. Marlene Richey

My father was a college art professor and my mother a free-lance writer, neither of them had even a rudimentary knowledge of business. I graduated from Central Washington University with a degree in art and jewelry, without anyone ever suggesting I might sometime want to make a living at what I had studied for four years. A few years later William Richey and I joined forces and we naively started a jewelry design firm with absolutely no idea of how to run a business. And that was the beginning of a long journey on learning the do's and don'ts, ups and downs, ins and outs of becoming art entrepreneurs.

During my 30+ years career in jewelry, I have run a wholesale business and a retail gallery, done hundreds of shows – craft and trade, indoors and out, juried and not juried, dreadful and successful. I traveled for nine years to every nook and cranny of America selling our line. I have served on numerous board of directors (currently Society of North American Goldsmiths), am an award-winning consultant to emerging artists (Contemporary Design Group's 2009 Designer Advocate of the Year), teach seminars and classes, a professor at the Fashion Institute of Technology in NYC, participate on panels, a free-lance writer for jewelry/craft publications, contribute an on-going column for Art Jewelry magazine called "Business Savvy" and authored an award-winning book about running a small jewelry design/craft business - "Profiting by Design" through the MJSA Press.

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This Week on Our Blog
Meet the Masters: Charles Lewton-Braint
Charles Lewton-Brain has earned many titles and wears many hats: inventor of foldforming, master goldsmith, educator, author, photographer, community activist (i.e., Ganoksin), and more. In addition, he is the long-time head of the Jewellery/Metals Program at the Alberta College of Art and Design in Calgary, Canada. But ask him what he most likes to do...  Read more>>

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September 11, 2010
 Make Your Own Textures for Metal Clay
 Learn different methods of making your own texture plates for use with metal clay including photo-polymer plates, polymer clay tear-away sheets, carved polymer clay, 2-part silicone molding materials, and more!
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September 18, 2010
 Dichroic Glass & Silver Metal Clay
 Learn how to set dichroic glass in silver metal clay and fire it safely so it doesn't crack!
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September 23, 2010
 Casting and Wax Working
 Casting and wax working techniques can save you time and add new dimension to your creations. Making wax models allows you create complex curves, surfaces, and textures that would be difficult and time consuming to execute in sheet metal.
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September 24, 2010
 Fusing, Soldering, and Keum Boo with Argentium Silver
 Created for people who want to become comfortable working with Argentium Sterling Silver sheet and wire, this workshop will teach a variety of techniques including annealing, soldering, fusing, and hardening.
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September 29, 2010
 Chain Making
 We will discuss traditional linked chains as well as loop-in-loop and crocheted chains, with a focus on repetitive soldering, fusing, and techniques specific to handling and working with wire.
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October 02, 2010
 Beyond the Basic Bezel
 Ever want to go beyond the basic bezel and expand your repertoire of stone-setting skills? Join us to learn about tube bezels, channel settings, open back bezels, and tips and tricks to make your settings more unique and interesting.
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October 23, 2010
 Thrive! not just Survive as an Artist
 Thrive! not just survive as an Artist with Bruce Baker, nationally known craft marketing expert. This seminar covers Booth design and Merchandising for Art Shows and Galleries, Your Images and the Jury, and Sales Techniques to close more sales.
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