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Ms. Jayne Redman

Nature provides an endless reference for imagination and invention. The linear quality of stems and the fullness of flower buds inspire my jewelry. I enjoy integrating mechanics with design, allowing each piece to function in a visually intriguing way. I work with multiples of the same shape engineering them to fit precisely giving an abstract impression of their botanical origin.

Many years of metalsmithing have taught me the power of simplicity. My forms begin as flat metal shapes and arrive as small sculptures. Their complexity is in their conception as curving planes of origami.

Jayne Redman, a Maine native, earned her B.F.A. in Jewelry and Silversmithing from Maine College of Art in 1977. She began her jewelry career in the fashion jewelry industry in New York as a design and production assistant. She started her own company, Jayne Redman Jewelry, in 1982.

Jayne began developing the Floraforms Collection in 1995. In 1998, Jayne won the NICHE Award for Silver Jewelry with her Tulip Earrings and was a finalist in the same category for her Sweet Pea Earrings. That year the American Craft Council selected a piece from her collection as "representative of the quality of work found at all ACC events" to use in advertising their wholesale markets. She was one of two runners-up for the American Jewelry Design Council's New Talent Competition in 2000. Jayne's Calla Lily Necklace was awarded first place in the Pendants-Necklaces category of Lapidary Journal's Jewelry Arts Awards for 2004. Her Palm Leaf Pin was a finalist in the 2005 NICHE Awards. Her Dahlia Necklace was a finalist in the 2009 Saul Bell Awards.

Jayne has been featured in articles for Crafts Report, AJM, Lapidary Journal, Professional Jeweler, Niche, and Ornament magazines. Examples of her work were used to illustrate the books Art Jewelry Today by Donna Z. Meilach, Making Metal Beads by Pauline Warg, and 500 Earrings, by Lark Books. She was a contributer to the book Profiting by Design by Marlene Richey.

Jayne is a former faculty member of the Maine College of Art Department of Jewelry and Metals and teaches workshops nationally and at Wolf Designs in Portland, Maine. She maintains a studio in southern Maine and is represented by fine jewelry and craft stores across the country.

In Process Images: Shapes are cut from a sheet of textured silver using a handmade blanking die. 24K gold strips are diffusion bonded to the shapes which are then formed and assembled with 18K gold pegs to complete the Peony bead. 24K gold sheet is rolled to a thickness of .02mm. Alternating strips of 24K and vellum are assembled into a booklet. Leaf shapes are cut and diffusion bonded to the flat shape which is then formed into the Clematis earring.

Blanking Dies & Pattern Development
 With Jayne Redman
 29 October 2010 - 31 October 2010
5% Early Bird Discount for registration before 29 September 2010
  
 One-piece blanking dies allow you to easily cut out precise duplicate shapes from silver, gold and other non-ferrous sheet metals. In this workshop you will learn how to develop patterns for this process as well as create your own dies.
  
 Complete Course InformationSign Up Now. It is Easy and Safe!
  
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This Week on Our Blog
Meet the Masters: Charles Lewton-Braint
Charles Lewton-Brain has earned many titles and wears many hats: inventor of foldforming, master goldsmith, educator, author, photographer, community activist (i.e., Ganoksin), and more. In addition, he is the long-time head of the Jewellery/Metals Program at the Alberta College of Art and Design in Calgary, Canada. But ask him what he most likes to do...  Read more>>

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September 11, 2010
 Make Your Own Textures for Metal Clay
 Learn different methods of making your own texture plates for use with metal clay including photo-polymer plates, polymer clay tear-away sheets, carved polymer clay, 2-part silicone molding materials, and more!
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September 18, 2010
 Dichroic Glass & Silver Metal Clay
 Learn how to set dichroic glass in silver metal clay and fire it safely so it doesn't crack!
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September 23, 2010
 Casting and Wax Working
 Casting and wax working techniques can save you time and add new dimension to your creations. Making wax models allows you create complex curves, surfaces, and textures that would be difficult and time consuming to execute in sheet metal.
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September 24, 2010
 Fusing, Soldering, and Keum Boo with Argentium Silver
 Created for people who want to become comfortable working with Argentium Sterling Silver sheet and wire, this workshop will teach a variety of techniques including annealing, soldering, fusing, and hardening.
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September 29, 2010
 Chain Making
 We will discuss traditional linked chains as well as loop-in-loop and crocheted chains, with a focus on repetitive soldering, fusing, and techniques specific to handling and working with wire.
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October 02, 2010
 Beyond the Basic Bezel
 Ever want to go beyond the basic bezel and expand your repertoire of stone-setting skills? Join us to learn about tube bezels, channel settings, open back bezels, and tips and tricks to make your settings more unique and interesting.
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October 23, 2010
 Thrive! not just Survive as an Artist
 Thrive! not just survive as an Artist with Bruce Baker, nationally known craft marketing expert. This seminar covers Booth design and Merchandising for Art Shows and Galleries, Your Images and the Jury, and Sales Techniques to close more sales.
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